![]() unless it's something that has more of a truly musical R&B flavor to it, you know people just want it to bump for their party or car or whatever. ![]() I also like to turn up the high end(10-12k+) in the claps and little accents like that, as it can sometimes give them that extra little bit of "snap".Īs for the rest of the stuff, i say pan it where it sounds cool - close your eyes, hit play, and play with the pan knob until something sounds awesome - whether it's a stationary spot in the L-R spectrum, or it's swirling/bouncing back and forth, do whatever makes you go "ohhhh shit, that's IT!".Īnd for compression.i say just squash the shit out of rap/hip-hop. i personally think that claps tend to sound better when there isn't a really localized source - i like them to sound like they're around, not in front, of me. I would say to use reverb whenever you want a particular instrument/track/whatever to sit differently depth-wise in the mixĪs far as panning goes, i would probably keep the kick/snare down the middle, but maybe try to play around with the claps.maybe copy the tracks and pan out a little, or use a stereo chorus. ![]()
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